'Illuminated memory, vague gallery where
dwells the shadow of my hope. It is not
truth that will come. It is not truth that
will not come.
dwells the shadow of my hope. It is not
truth that will come. It is not truth that
will not come.
She leaps with her shirt in flames
star to star.
From shade to shadow.
She is the one who dies a distant death
the one in love with the wind.
she says she does not understand about the panic of the death of love
she says she is afraid of the death of love
she says love is death is the panic
she says death is the panic is love
she says she doesn't understand
she says she is afraid of the death of love
she says love is death is the panic
she says death is the panic is love
she says she doesn't understand
Life, life of mine, let yourself fall, let yourself feel
agony, life of mine, let yourself be bound to fire,
to raw silences, to green rocks in nighttime's
house, let yourself fall and feel this agony,
my life of mine.'
Alejandra Pizarnik (from The Tree of Diana)
tr. Zachary Jean Chartkoff
agony, life of mine, let yourself be bound to fire,
to raw silences, to green rocks in nighttime's
house, let yourself fall and feel this agony,
my life of mine.'
Alejandra Pizarnik (from The Tree of Diana)
tr. Zachary Jean Chartkoff
So fine to see and read you again.
ReplyDeletemi-e dor de tine
ReplyDeleteYou see, he who spoke of a sorceress at work here, could only see those speculations confirmed beyond the shadow of a doubt with such a magically illuminated collection as this.
ReplyDeleteOr perhaps that is going too far, for in the realm of shadows and clouds and fire and night and moon and vapors weaving myriad emotions into raw visions there must always be doubts; must always be doubts for there are no certitudes in the shadowy moonlight like tonight under a nearly full moon, where one walks in the dark woods, seeking the hidden path that leads to the stairs which climb and climb and climb up to where one may take a first tentative step upon a floating bridge, to see if it will hold one's weight... but where is the guide ?
Mon Dieu, comme tu es belle et rayonnante...icare, aurait tout intérêt a ne pas s'approcher.
ReplyDeletela légende de Baba Dochia(la vieille Dokia)
...une vieille femme du nom de Dochia avait une belle-fille qu'elle haïssait...Un jour d'hiver glacial, Dochia lui donna un vêtement particulièrement sale, lui demandant d'aller le laver à la rivière jusqu'à ce qu'il devienne blanc comme neige...
Ma mère avait une amie d'origine roumaine (exilé politique, une intellectuelle...une prof comme toi)
Très amicalement tien.
Marc.
the poetic soul agonized by the undying embers of passion.
ReplyDeleteI've had to look at this a couple times thinking maybe I'm missing something, but these photos give me a feeling of joy. "Ode to Joy" were the first words that leapt into my mind. Masterful.
ReplyDelete... "sich mit dem Feuer verbinden", konnte ich erst verstehen, als ich das wunderschöne erste Bild betrachtete. Die Offenheit des Blickes und das Fehlen jeder Angst spricht für mich für kompromisslose unzweifelhafte ehrliche und wahre Liebe. Das Feuer spricht dann für das Erwarten und Annehmen all dessen, was kommen wird. Verstehen, ja, wirklich lieben, dies sagt es mir...! Wahrscheinlich hat es ja ein völlig andere Bedeutung für Dich, Roxana, aber sicher ist das Wichtigste der Kunst, eine starke Aussagekraft zu vermitteln und den Betrachter zu berühren. Und Deine Bilder haben mich sehr berührt, genau wie Dein Interesse und Deine so grosse Einfühlsamkeit!
ReplyDeleteRenée
Good to see you again, interesting images.
ReplyDeleteRoxana ...hello.
ReplyDeleteThe first picture has the serenity after the storm witnessed, as if the pain was better than the calm afterwards, how sweet was that pain.....the words compliment the pictures nearly perfectly.
I haven't read Pizarnik but a kindred spirit had once, in days of mirth, recommended Ocampo, another Argentine poet. You did not tall me about the tale of genji....any any favoured japanese novels?
these images burn inside me, long after i have turned away, calling everything into this dream, the surpassing strangeness of the any-self as it trembles into recognition, pressed to the mirror of the world ... and so i return....
ReplyDeleteUnsettling and intriguing, these themes that you return to are like a giant secret narrative.
ReplyDeleteRoxana,
ReplyDeleteNous évoquions l'alchimie la dernière fois...et là je te découvre poétesse-alchimiste, à jouer avec le feu, danser avec lui, l'apprivoiser lui aussi !
not a vague galery, rather a glowing one
ReplyDeleteRoxana ,magicienne des elements,l'eau, le vent, la neige, la pluie,et puis bien sur le feu...
ReplyDeletej'aime la couleur ambrée de ton regard ou couve ce feu lumineux et passionné...comme tu es belle...Marc a raison...
belle comme les flammes qui dansent...
je t'embrasse, chaleureusement ça va de soit.....
bon dimanche..
J'aime beaucoup l'esprit de votre recherche .
ReplyDeletemerc, sooo happy to see you here again, i missed you!
ReplyDeletem - si mie! :-)
(big surprise :-)
Owen - sometimes it is better to forget even about the guide :-) especially under a nearly full moon (but not in Transylvania, i agree :-P)
Marc., je suis eblouie par tes connaissances sur la Roumanie, Dochia?!!! tu connais meme cette legende?! c'est incroyable - sans etre jamais venu ici, de plus!
mais non, desolee de te decevoir mais ce n'est pas moi dans la photo :-) je la trouve belle aussi, cette femme...
merci d'etre revenu sur le Pont, cher Marc.
Prospero: oh, my poetic soul -
ReplyDeleteStickup Artist, so fascinating, how different our readings of the same images can be - i love this! :-)
Genau, Renée, du hast vollkommen recht: "sicher ist das Wichtigste der Kunst, eine starke Aussagekraft zu vermitteln und den Betrachter zu berühren" - wie ich es auch mit Stickup Artist gerade besprochen habe, wird dabei jeder Betrachter anders beruehrt, und gerade diese Vieldeutigkeit macht das Besondere der aesthetischen Rezeption aus (so denke ich auf jeden Fall).
Ich bin so gluecklich, dass meine Bilder Dir so viel gesagt haben - vielen herzlichsten Dank, liebste Renée...
Hello, Kubla
i am sorry, i meant to write a second answer about Genji - i hope you got my first one on your blog?
yes, you are right about the inspiration for my blog title, in fact i made once a couple of posts honouring its source, you will find them if you click on the archive: "the floating bridge of dreams".
are you reading Genji now? it is one of my favourite novels ever. i love many Japanese writers, indeed. perhaps you would like Mishima and Tanizaki? i am curious about you and Japanese literature: on the one hand, i think you should love it, because it can have both violence, eccentricity and melancholy; on the other hand, there is nothing there from that Dostoievskian spirit that you like, no great conflicts and debates of ideas - everything is subdued and ambiguous.
i am glad to know that you found something in this post.
Hi Jon, thank you so much!
James, could one be a poet without this 'burning'? i don't know - but i know you know everything about word and burning, it's enough to read a few lines by you -
ReplyDelete(ah, but what would the Bridge be without your returning to it again and again :-)
Sorlil, yes. a giant secret narrative, you put it perfectly, thank you :-)
K'line, c'est toi qui m'en a donne l'idee, tu sais? continuer de poster sur les elements et retravailler tous les reves d'alchimiste :-) et le feu n'est pas encore fini!
je t'embrasse, caminando a tes cotes :-)
fff!!!
what can i say, i cannot hide that glow, it seems :-)
chere Clo, tu me fais rougir, 'magicienne des elements', malgre le fait que j'aime ce nom, je ne m'en sens pas digne! mais si tu le dis, toi, geometre des puretes :-) alors je t'en remercie en souriant...
(je l'ai deja dit a Marc., ce n'est pas moi dans les images, j'aimerais avoir le meme feu lumineux et beaute passionnee :-)
Jean, merci beaucoup pour votre visite et appreciation...
J'aime beaucoup l'ambiance mystérieuse des compositions en photo, comme si un évènement imminent d'on ne sait quelle nature allait avoir lieu dans cette magnifique tête . J'aime également l'effet esthétique du superbe du contraste entre la présente imposante de cette couleurs terre, majestueux et la légèreté dans cette certaine transparentes.
ReplyDeleteAllan, merci beaucoup, je suis heureuse que tu aimes (et que tu sois revenu ici sur le Pont!)...
ReplyDelete'Love In The Time Of Cholera'
ReplyDeleteGabriel García Márquez
Just saying hello between the travel.
Hello.
Only fantatic...
ReplyDeleteofff, mie imi vine sa spun, barbar, ca palmasul aflat la treaba lui, vazand frumusetea trecand "vreau si io" - si, daca stau sa ma gandesc bine, acest vreu si io paleste in fata sentimentului care se numeste UIMIRE. UIMIRE CA REACTIE LA FRUMUSETE.
ReplyDelete