Thursday, 3 December 2009

through the waters of the blind

they say that history repeats itself:
what should we do
with the old communist buildings
which we have grown to call
home
?



---


and if we had wanted to burn
them down in the rage
of our late autumn
and if we had wished for
the knife of day
to cut through them
like a seed tearing
through the flesh of time...

yet we stood there, weary
not even holding hands
and no one from the angelic orders
forced our mouths to open
and our flowers to turn silent
against the sun
we who got drunk on waiting
that darkened within us like wine
we who couldn't even remember
why our limbs were numb
and why we cried for words
like ripples through
the waters of the blind

yet we stood there, bewildered,
and failing to notice
that our mirrors, stubbornly
buried in the wormwood of memory
had started to outgrow
the shabby contours of living
that a forest had begun to move
towards the barren centre of our sleep
that we ourselves had come to hang
like giant globes of light
from within the dead body of time.





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Saturday, 28 November 2009

what should we do

with the old communist buildings
which we have grown to call

home
?



come -
let's paint them in the colours
of our pain,
in the dimness of what they call
history
but we simply call
our lives.





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(the doorway of my block of flats)

Tuesday, 24 November 2009

simple, old truths

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a man walks slowly in the fields of autumn. he sees tall grass swaying in the cold breeze, here and there a tree. the sinking sun, the sky suddenly yellow. at some point a dog comes along and rubs against the man's legs. he bends down and strokes its head. every now and then he thinks of himself as a child, he thinks of lost loves. fleeting images, no more substantial than the meeting of a fallen leaf and a branch reflected on the water's surface. perhaps even less trembling of his heart. but most of all, he remembers voices, a certain music which had always seemed to punctuate the quiet unfolding of what others had called his life. for no reason at all, two fragments of poems return now and then:

Yet he says much who utters "evenings,"

A word from which grave thought and sadness flow

Like rich dark honey from the hollow combs.


and


this was “absolution”
we turned the words in our fingers

like coloured pebbles
smiling vaguely, shy,

wondering what they meant,
wondering what we had been.




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reaching the top of a small hill, he stops for a moment, leans against a tree and lets his eyes roam over the horizon and what slowly begins to take the shape of distances.
"if i die now", he says to himself, "then everything which is held inside the word
evening as i am uttering it exactly this moment, is lost. no clinging to memory, no dream of absolution. this precise and stunningly clear configuration of the universe, as it is right this moment, the shape of these fields, the cotton-like grasses i passed by, the warmth of the dog fur lingering in my fingers, my shadow as it is stretching now across the path, these glowing colours of autumn and i myself, my body heavy with the world that i carry inside, not simply mirroring the one outside but lending it the clarity of a soul, the singleness of a purpose, will be lost. as if they had never existed. countless mouths will still open to say evening all over the earth, yet this particular weaving of time and space and soul, which now seems to be, as i feel it, essential, perhaps indispensable to the universe, will be no longer."









while his lips are still rounded, once again giving birth to the same order of seemingly meaningless sounds which compose the same word, "evening", all over again, he notices that this thought has ceased to fill him with the absolute horror he had so often felt in his younger days. instead, he smiles quietly at the way the sun, suddenly bright yellow, seems to be caught in the black telegraph lines cutting through the red of the sky. the colours hurt for a moment, though this too might have only been a fleeting impression. then he sees a flock of crows flying low over the disappearing fields.
















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the man lies down in the grass. the light falls obliquely upon his chest, briefly, as if splintered. in a bush nearby, leaves rustle, for just one moment.
the crows, no longer held in sight by a gaze, fly low through the darkness.





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Saturday, 21 November 2009






will i cease to be,
or will i remember
beyond the world,
our last meeting together?


Izumi Shikibu

Wednesday, 18 November 2009

like the rustling leaves














His heart, grown cold,
has become my body’s autumn.
Many sorrowful words
may yet fall
like the rustling leaves.


Ono no Komachi

(tr. Hirshfield & Aratani)