Showing posts with label past unreal conditional. Show all posts
Showing posts with label past unreal conditional. Show all posts

Thursday, 3 November 2011

of sumptuous reveries and demon-lovers (in the Oriental Garden)

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The air in the café was thick with shadows and smoke. His face half-turned away, his eyes half-closed, at times only the cigarette seemed alive in his fingers. There is something unsettling about every effigy, i thought, and the moon, the moon in the window frame bathing him in silver, for some unknown reason i kept thinking about the moon. Then, he turned to me all of a sudden, leaned forward and i thought he would finally reach for my hand. I was pale, i think. Those who say that a body cannot wait should have lived those few seconds of waiting inside my hand, the blue veins running helplessly under the skin. The skin too was paler than the moon. I wanted to give him my wrists.

Instead, he said, "Ah, late antiquity is when we should have lived. The times were romantic, the air was pure, lilacs never died, minarets were flexible, dates, musk and myrrh were like gold dust." The coffee spoon seemed a moon ray bent by some strange magic, at times a glittery snake between his fingers and oh, how i wished for my hair to be that silvery snake, that ray of the moon bent by his dark fingers. The air between him and me, that hollow space which didn't reflect any light back.

He spoke again, and this time he looked into my eyes, and i knew i had to say something but his voice seemed to reach me from such a distance, like the moon through layers of black water. I have to say something, i thought, and became really nervous about it, as if my life itself depended upon my answer, which was rather silly actually, since he was talking of myrrh and horses and oases, none of which really existed, i mean existing in this world of mine, of ours, where the air was heavy with muffled whispers and the moon a tight seal upon my lips.

"Would you have loved to travel with me then," he asked, "on horse or camel, searching for an oasis? But why should we have traveled then, we could have just walked, or, even better, we could have just stood there and the oasis would have sprung forth around us, like a poem. Tell me."







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The moon disappeared behind a cloud and the shadows on the walls suddenly faded away. When i turned my face to him, such paleness on my tongue, such hunger for one word, just one word, he was gone too, the last shadow.

Later at home, while waiting for dawn and who says that waiting cannot tear through one's blood and bones like a whip, i opened the book and read:

So twice five miles of fertile ground
With walls and towers were girdled round:
And there were gardens bright with sinuous rills,
Where blossomed many an incense-bearing tree;
And here were forests ancient as the hills,
Enfolding sunny spots of greenery.

But oh! that deep romantic chasm which slanted

Down the green hill athwart a cedarn cover!
A savage place! as holy and enchanted
As e'er beneath a waning moon was haunted
By woman wailing for her demon-lover!








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This post continues the series dedicated to the amazing Gardens of the World, which i visited in the Recreational Park Marzahn, in Berlin. You can read more here.


..

Saturday, 11 June 2011

the bench that should have been









i remember us on the bench that has never been,
the light playing on our shoulders and
what would have been our face, had we really existed.
i turn to you,
my breath tearing through you like a whip,
a silver snake in the dark.

i don't speak.

my words echo thus, but not in your mind:
on your trembling hands, your bending knees,
in your throat.

you haven't come. to what purpose disturb the dust
on a bench that has never been, i do not know.
other voices inhabit me
that you will never know, either.

i turn to you and light my cigarette

only because i know you love this burning
and mourning of ashes, this beauty of mine now,
behind the veil of flesh.
i blow the smoke, gently, into what
would have been your wound, had you been there,
my cry, that we can bear only so much paleness.

i remember the moment that should have been,
had the future been your cat's ball of speckled yarn,
my poem.


















..

Thursday, 1 July 2010

...







i cannot set the sky ablaze for you.
i am neither the sun of poetry nor its mystery
(as for centuries many have claimed).
but i can set my roses ablaze for you
and the word 'roses'
and the silence of its burning
once more
until the emptiness is filled
with all the roses that have ever been
and all the roses that might ever be.
(no emptiness can ever contain the roses
that should have been -
only my body, ablaze).




Tuesday, 15 September 2009

the sentimental clichés of our small deaths

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we still extract the nectar
from each wound
we've opened bare

feeding on the wings
it's taken us so long to grow
from our liquid bones

two bodies heavy with likeness
you and I
wrapped carefully in what might have been

my shadow still reaching out
from the sharp rectangle of light
in which you keep me captive

your silence still reaching out
from the tight rectangle of dark
in which i keep you bound to my silk

the dreadful hour, gently hardening
within the chrysalis
my reckless time, my destroyer




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Sunday, 5 July 2009

in that garden









































i imagine you asking:
can pain subside?
is night the only answer?


i ask, in what makes, perhaps, the faintest echo of a leaf:
can our bodies still bear the fallout of grace?


before, i would have moved towards you, from within that unspoken, unfinished gesture which so oft has been the only way of revealing myself to you.





it is only time which moves in their throats, like a snake, splitting and trying in vain to shed its hours. in what should have been the raw skin of beauty, they turn from each other. when they have drunk all the red from the tulips and all the gold from the air
and all the black from the poppies, in that stillness. they turn to each other, cold to the bones, ready to tear up their paleness as well.



















Saturday, 9 May 2009

the reason to remember the reason to forget












Ne-om aminti cândva târziu
de-această întâmplare simplă,
de-această bancă unde stăm
tâmplă fierbinte lângă tâmplă.


De pe stamine de alun,
din plopii albi, se cerne jarul.
Orice-nceput se vrea fecund,
risipei se dedă Florarul.


Polenul cade peste noi,
în preajmă galbene troiene
alcătuieşte-n aur fin.
Pe umeri cade-ne şi-n gene.


Ne cade-n gură când vorbim,
şi-n ochi, când nu găsim cuvântul.
Şi nu ştim ce păreri de rău
ne tulbură, pieziş, avântul.


Ne-om aminti cândva târziu
de-această întâmplare simplă,
de-această bancă unde stăm
tâmplă fierbinte lângă tâmplă.


Visând, întrezărim prin doruri -
latente-n pulberi aurii –
păduri ce ar putea să fie
şi niciodatã nu vor fi.



Risipei se ded
ã florarul

by Lucian Blaga



We shall remember once, too late,
This simple happening, so fine,
This very bench where we are seated,
Your burning temple next to mine.


From hazel stamens, cinders fall
White as the poplars that they land on,
Beginnings want to be fecund,
May gives itself with sweet abandon.


The pollen falls on both of us,
Small mountains made of golden ashes
It forms around us, and it falls
On our shoulders and our lashes.


It falls into our mouths when speaking,
On eyes, when we are mute with wonder
And there’s regret, but we don’t know
Why it would tear us both asunder.


We shall remember once, too late,
This simple happening, so fine,
This very bench where we are seated
Your burning temple next to mine.


In dreams, through longings, we can see—
All latent in the dust of gold
These forests that perhaps could be—
But that will never, ever, grow.


May Gives Itself with Sweet Abandon

tr. Cristina Hanganu-Bresch
















my favourite folk singer, Tudor Gheorghe, singing the poem


Notes:


1. I thank Bent for reminding me of Blaga's birthday and for celebrating a poet dear to my heart by publishing such excellent translations on his exquisite sites.

2. I have stolen the title of this post from the Black Sun , i am a poor title giver, yes i know this, ffflaneur :-)

3. for those of you interested in translation problems, please go here and read the translator's explanations about this poem.

Saturday, 14 March 2009

And I wonder






O quam te memorem virgo...
Stand on the highest pavement of the stair--
Lean on a garden urn--
Weave, weave the sunlight in your hair--
Clasp your flowers to you with a pained surprise--
Fling them to the ground and turn
With a fugitive resentment in your eyes:
But weave, weave the sunlight in your hair.

So I would have had him leave,
So I would have had her stand and grieve,
So he would have left
As the soul leaves the body torn and bruised
As the mind deserts the body it has used.
I should find
Some way incomparably light and deft,
Some way we both should understand,
Simple and faithless as a smile and shake of the hand.

She turned away, but with the autumn weather
Compelled my imagination many days,
Many days and many hours:
Her hair over her arms and her arms full of flowers.
And I wonder how they should have been together!
I should have lost a gesture and a pose.
Sometimes these cogitations still amaze
The troubled midnight and the noon's repose.




La Figlia Che Piange (The Weeping Girl)
by T.S. Eliot























Wednesday, 4 February 2009

into the rose garden

I have been tagged by Mansuetude, the one who resides at the heart of peace, to post 'a phrase: a few lines from a poem, a song, or an overheard sentence that rings important inside you'. I thank her for that and I will certainly play the game, because one of my souls is a player's one. My choice won't surprise anybody, I have reason to fear, I had already posted these lines before and everybody who has come to know me a little knows that they are crucial to me.

I don't know if I should pass this tag onward... does anybody want to continue playing like this? I'd be happy to read your choice. Still, I will name three people, but they don't have to do anything if they don't feel like it (most probably Kubla won't feel like it, I can't imagine him play): Edith,
Sorlil, Kubla and the Black Sun (b, just because I'd hate to dwell alone on these fertile fields of predictability, I give you the possibility not to surprise anybody with another wonderful Salter quote :-P, and yes, I know I know, again, forgive me for what was once known as my wicked tongue).

After this quite long introduction, let me lead you to the never opened door, into the rose garden, once again.











What might have been and what has been
Point to one end, which is always present.
Footfalls echo in the memory
Down the passage which we did not take
Towards the door we never opened
Into the rose-garden. My words echo
Thus, in your mind.











Go, go, go, said the bird: human kind
Cannot bear very much reality.
Time past and time future
What might have been and what has been
Point to one end, which is always present.


T.S. Eliot, Quartet No. 1, Burnt Norton





Tuesday, 29 July 2008

summer fairy tale




Once upon a time there was a distant country with green valleys and bright stars and small houses with flowering gardens and silent winds. When night fell upon that country, the lights used to flicker in the warm kitchens until all the children were in their beds, sleeping peacefully.
But the Little White Princess refused to sleep. Wearing her white cap and her shining white silk dress, she stood at her small window all night, wailing bitterly: I am not whole, I am not whole, what shall I do, what shall I do. In vain did her parents try to prove her wrong.
Thousands of doctors were brought in, they counted every pore of her skin and every hair on her head and every bone and every cell of her body, look, you are whole, Little Princess, stop crying, go to bed, sleep tight.
Thousands of wizards were called in the middle of the night, they looked at every corner of her soul with silver mirrors and checked her every movement and every path of her young thoughts with silver maginfying glasses, look, you are whole, White Princess, stop lamenting, go to sleep, dream beautifully of all the round and full things of this world. But the Princess wouldn’t listen. Every night her sorrowful song resounded over the country I am not whole, I am not whole, what shall I do, what shall I do.
One day, the king and the queen open the castle gate wide and cried bitter tears: Little White Princess, go out and try your luck and may the stars help you find those missing parts you keep talking about.





And so the Princess went. She travelled through spring forests and golden wheat fields and autumn clouds and heavy snows, singing her everlasting song, and the animals of the earth and the birds of the sky were shaking their heads and talking to one another in their strange languages tsk tsk little girl, don’t be foolish, go home, don’t you know your kind is never whole, tsk tsk what a stupid child, this White Princess after all...






On a summer morning, she stopped and stood in the fresh air and just looked. She saw the valley before her opening towards the rising sun, and still the light had a milky quality in its dampness and still there was a strange softness in the flowers with their bent heads of white.






She entered the valley full of joy.






There, in the middle of countless flowers, she felt a strange numbness in her limbs and fell asleep.






She dreamt of one red flower, glowing with unknown passion in a sea of gold. Oh, she cried in her dream, if I could see that flower, that only flower, and kneel before it, I would be whole.






But then the light of noon fell on her face and she opened the eyes and saw the bloody poppies on stems of gold dancing for her up in the sky, and her heart shrank and she knew then that her dream had been a lie and her mourning made the birds restless in their little nests and the fish ill in their blue rivers: I am not whole, I am not whole, what shall I do, what shall I do. She kept on going.






On a late afternoon, when the rain had moistened the colours of the grass and the earth was soft brown and the woods a boundless silence, she met a dark purplish horse in the fields. The horse spoke to her: Little Princess, I can take you somewhere, to a special place where you can find the answer to your prayer. The Little Princess clasped her hands and shouted with delight: Let’s go then, my purple horse, let’s not waste a second.





Wait, said the horse, I have a white brother. Which one of us do you choose for your journey? The Princess frowened. I shall go with you, my white silk dress glows more beautifully against your purple heart. And so they went, thousands and thousands of miles, they flew over the earth.





On a late evening, they reached a distant castle. The horse stopped. The Princess dismounted. Now you have to go alone, the horse said. The gate is closed. Before the gate, you have to wish hard for your answer. If your wish is strong enough and your heart is pure, the gate will open.

And then what
, the Little Princess asked.

Then you go in
, the horse laughed, turned around and left.






The Little Princess stood before the gate, stretched her arms with her little fists clenched, and wished hard for her to be whole, for the gate to open. On the other side of the world, the Gatekeeper felt her wish blow like a storm through wood and brick and iron and stone and force the walls to curve and the latchkeys to break open. He took his stick and hurried out to prevent this from happening.

Little girl, he started. The Princess frowned.


I am a Princess, you know.

Oh, I am sorry, said the old man in his sweetest tone, with this funny suit you have over there and this white cap, I thought you might be a little g... but wait, no you can’t be a princess, you are a chef, aren’t you?

The Princess looked at him incredulously. Pride and desire fought on her face.

Well, I suppose I could bake a cake for you, if you would just open that gate for me. A huuuuuge chocolate cake, what do you say?

The Gatekeeper laughed. Ay, White Princess, your cakes are of no use to me, look here, look what I have for you. And he opened his arms and unfolded his hands and all the sweets of the world started to flow and dance and circle round the White Princess, rainbows of melted chocolate and almond biscuits and tartes aux fruits and turkish delight and ginger bread and baklava and fluffy, transparent cakes with rose water and raisin breads and sorbets and cinnamon apple pies and colourful icecreams like sweet music. You can have all of this if you leave now, he said and winked as if suddenly amused. But the Little Princess stood there still and smiled and sang her sad song in a little soft voice. The old man bowed his head. The gate opened.





It was night when she entered the castle. Before her eyes, blooming across the lit sky, there stood one strange little tree in a sea of darkness.





She took a step closer. It was not a tree, just bright tufts of white grass and long waving plants reaching towards the sky like branches, and on those frail, tangled branches myriads of small yellow flowers glowed with a pale light and danced in the summer breeze.

What is this? the girl asked slowly, where are we?

The Gatekeeper put his hand on her shoulder. Little Princess, he said almost inaudibly, the yellow flowers... and when he said this the small flowers rose in the air like yellow butterflies and she didn’t know anymore whether they were flowers or butterflies with gold powdered wings which kept turning in circles about their heads, they are you.

Me? the startled Princess stared at him in disbelief.

Yes, your selves, the possible ones, the ones you lost, gathered here for ever, dancing their endless dance.
The breeze was now cold.

You mean...

Yes, White Princess, every time you make a decision, every time you choose a road and take one step on it, the inevitable, irreversible one, a Little Princess dies in you and her self turns to a yellow butterfly and comes fluttering to live here with the others. They are all here, all your selves, countless Little Princesses who might have been.

Oh, whispered the girl and took a long breath. She stared for a moment, an endless silence, at her tiny white shoes. And if I don’t choose but am forced to go one way or another? If I stand still and still the road unfolds me?

Those Little Princesses are here also. Choice or not, they are still dead, surely you can see that, don’t you, Little One?

But old man, the girl raised her voice suddenly, how can those little 'me' be here already, if I am small and still to grow and still to choose and still to walk, countless times and countless roads?

The Gatekeeper shook his head smiling. Well, my dear, this is a big question for big learned men and philosophers, not a little one for little girls errr sorry, little princesses.

She turned to stare at him again. Did they come here also, to look at their selves like me, those big learned men, did they open the gate too?

The old men laughed and shook his head as before, now you got me, Little Princess, no, they didn’t, not one of them.

Why, did they go for the ginger bread?
Her face was serious but he knew she had made a Little Princess joke.





He wanted to say something but at that moment a butterfly came down and sat on her forehead. You see, he said and stroked her hair gently, this little soul here is the one that died when you chose to ride the purple horse.


She felt something like tears in her eyes.

Would I have known the answer then, to my big question, if I had ridden the white horse and my white dress had become one with his white heart?

The Gatekeeper smiled and kissed her on her cheek, where another butterfly had settled, flapping its golden wings. He disappeared.

The girl stood still whilst the night was lighting up around her. Another butterfly came, a deeper shade of yellow, and then another one and another one, saffron and lemon and peach and amber yellow and their hues flowed into one another and their veil of gold was floating around her, wrapping her tightly as the veil a priest would wrap around a sacred corpse. They sat in her glowing hair, they covered her radiant skin, their silken beating of wings devouring the silk of her white dress, her white little chef cap, they burned on her arms like thousands of cold fires, they closed her eyes and filled her mouth.






The first one to enter her blood hurt. And then she felt growing, she felt expanding, she felt her body explode and then expand again, and an overwhelming fear paralysed her, the fear of the moment when the world would cease to contain her, and she would contain the world. Stop, she shouted in the voice of her devasted blood, you have no life, go away, I chose you not, I mourn you not. I refute the possible, I turn my back to all dead futures.




But it was too late. Some say the Little White Princess died the moment she became whole. Others say the gods took her just before the last butterfly sat upon her heart. Before that last beating of the golden wings, she vanished, because no mortal is ever to know what it is to be whole.