when a dreamer of reveries has swept aside all the 'preoccupations' which were encumbering his everyday life, when he has detached himself from the worry which comes to him from the worry of others, when he is truly the author of his solitude, when he can finally contemplate a beautiful aspect of the universe without counting the inutes, the dreamer feels a being opening within him.... ; )
indeed, swiss :-) you know, they say that an author who has been the focus of one's research is a sacrificed author, one can't find anymore pleasure in reading him. but Bachelard proves this wrong!
does this mean you like the picture? or doesn't it qualify for an x? :-P
Allan, oui, j'aime beaucoup son visage moi-aussi. en effet, Bachelard dit que par l'imagination poetique l'objet nous est donne directement, sans mediation, on peut y avoir acces toute de suite, il n'y a pas de chemin a parcourir ou des egarrements a depasser comme c'est le cas de la connaissance rationale.
"my x duties of late", ahhhh - swiss, this has killed me :-)))) I can't stop laughing. and I was totally lost in anguish here as to why there are no x any longer :-)
Everything depends on this, doesn't it, our ability to imagine others, their thoughts and desires, their motives --- all communication, everything that happens in relation to the other, even the other who is most near? And we think we understand, more or less, but who knows, really? Any standard for deciding assumes a priori that this imagining is possible....
A poem by Jack Gilbert:
Say You Love Me
Are the angels of her bed the angels who come near me alone in mine? Are the green trees in her window the color I see in ripe plums? If she always sees backward and upside down without knowing it what chance do we have? I am haunted by the feeling that she is saying melting lords of death, avalanches, rivers and moments of passing through. And I am replying, “Yes, yes. Shoes and pudding.”
:-) the poem is so beautiful and funny :-) thank you!!!
and James, I think you are right, everything depends on it. I will quote from another poem that I know you like as much as I do, I have posted the beginning once and if I am not wrong, it was then that you wrote for the first time on my blog. Rilke, of course:
All the huge images in me, the deeply-sensed far-away landscapes, cities and towers and bridges and un- suspected turns of the path, the powerful life of lands once filled with the presence of gods: all rise with you to find clear meaning in me, your, forever, elusive one.
You, who are all the gardens I've ever looked upon, full of promise. An open window in a country house—, and you almost stepped towards me, thoughtfully. Sidestreets I happened upon,— you had just passed through them, and sometimes, in the small shops of sellers, the mirrors were still dizzy with you and gave back, frightened, my too sudden form.—Who is to say if the same bird did not resound through us both yesterday, separate, in the evening?
but it is also true that no amount of imagining can match the fulfilment of the hic et nunc shared with the beloved. Bachelard would disagree, I'm afraid :-)
Yes, that post was the first time I commented here :-)
This poem is as near to perfection as anyone can ever come, I think. If I had only this of Rilke, he would still be one of the most important of poets to me....
when a dreamer of reveries has swept aside all the 'preoccupations' which were encumbering his everyday life, when he has detached himself from the worry which comes to him from the worry of others, when he is truly the author of his solitude, when he can finally contemplate a beautiful aspect of the universe without counting the inutes, the dreamer feels a being opening within him.... ; )
ReplyDeleteindeed, swiss :-) you know, they say that an author who has been the focus of one's research is a sacrificed author, one can't find anymore pleasure in reading him. but Bachelard proves this wrong!
ReplyDeletedoes this mean you like the picture? or doesn't it qualify for an x? :-P
c'est-à-dire elle n'est pas une communion elle est la face à face sans intermédiaire,sans médiation. Visage angelique.
ReplyDeletegood point, i've been neglecting my x duties of late. normal service will be resumed!
ReplyDeleteAllan, oui, j'aime beaucoup son visage moi-aussi.
ReplyDeleteen effet, Bachelard dit que par l'imagination poetique l'objet nous est donne directement, sans mediation, on peut y avoir acces toute de suite, il n'y a pas de chemin a parcourir ou des egarrements a depasser comme c'est le cas de la connaissance rationale.
"my x duties of late", ahhhh - swiss, this has killed me :-)))) I can't stop laughing. and I was totally lost in anguish here as to why there are no x any longer :-)
ReplyDeleteque c'est beau, il y a tant de poésie dans vos photos... un talent incroyable... J'adore!
ReplyDeleteA lovely, dreaming image.
ReplyDeleteEverything depends on this, doesn't it, our ability to imagine others, their thoughts and desires, their motives --- all communication, everything that happens in relation to the other, even the other who is most near? And we think we understand, more or less, but who knows, really? Any standard for deciding assumes a priori that this imagining is possible....
A poem by Jack Gilbert:
Say You Love Me
Are the angels of her bed the angels
who come near me alone in mine?
Are the green trees in her window
the color I see in ripe plums?
If she always sees backward
and upside down without knowing it
what chance do we have? I am haunted
by the feeling that she is saying
melting lords of death, avalanches,
rivers and moments of passing through.
And I am replying, “Yes, yes.
Shoes and pudding.”
omami, merci de tout coeur! on peut se tutoyer, n'est-ce pas? :-)
ReplyDelete:-)
ReplyDeletethe poem is so beautiful and funny :-) thank you!!!
and James, I think you are right, everything depends on it. I will quote from another poem that I know you like as much as I do, I have posted the beginning once and if I am not wrong, it was then that you wrote for the first time on my blog. Rilke, of course:
All the huge
images in me, the deeply-sensed far-away landscapes,
cities and towers and bridges and un-
suspected turns of the path,
the powerful life of lands
once filled with the presence of gods:
all rise with you to find clear meaning in me,
your, forever, elusive one.
You, who are all
the gardens I've ever looked upon,
full of promise. An open window
in a country house—, and you almost stepped
towards me, thoughtfully. Sidestreets I happened upon,—
you had just passed through them,
and sometimes, in the small shops of sellers, the mirrors
were still dizzy with you and gave back, frightened,
my too sudden form.—Who is to say if the same
bird did not resound through us both
yesterday, separate, in the evening?
but it is also true that no amount of imagining can match the fulfilment of the hic et nunc shared with the beloved. Bachelard would disagree, I'm afraid :-)
Yes, that post was the first time I commented here :-)
ReplyDeleteThis poem is as near to perfection as anyone can ever come, I think. If I had only this of Rilke, he would still be one of the most important of poets to me....
multumesc, Vali.
ReplyDelete